Correlated with Susan Sontag's theorization of kitsch as well as employing the queer lingo of "camp," this film's relentless equal opportunity pop-art montage shattered the foundations of conventional cinema, making it a true document of the Shinjuku underground scene. Director Okabe himself appears recreating his favorite roles from Bonnie and Clyde to Spaghetti Westerns, as well as incorporating quotations by inserting stills of Godard, Kennedy’s assassination and the Vietnam War.
麿赤兒
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Shigeomi Satō
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Michio Okabe
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刀根康尚
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Rikurô Miyai
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Mami Aoyama
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Gulliver
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Mitsutaka Ishii
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Kenji Kanesaka
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Tetsuo Koyama
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Tamio Suenaga
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